Join us at Earls Court 2 for this year’s Broadcast Video Expo
This year we are working in partnership with Avid Authorised Training Partners VET and Alchemea to provide hands-on training of Media Composer 4.0 and Pro Tools 8. Sponsored by HP, sessions available include:
Timeline Editing with Media Composer
Powerful effects straight from the Media Composer palette
“File based workflows on Avid” - import and export for cross platform working
Harnessing the power of Media Composer Colour Correction
Audio for Video: Pro Tools Explained
Click here to see the timetable for free training sessions on stand L20
As well as demonstrating their latest technology on stand L20, Avid is heavily involved in BVE's seminar programmes. Details are as follows:
The Post Production Room – Tuesday 16th February, 10.30
Collaborative 3D Post Workflow: Edit. Grade. Master.
Avid Technology & Digital Vision
The stereoscopic process is still considered a dark art for many content creators trying to understand how best to provide the right tools and services for use on 3D projects. In this seminar two of the leading manufacturers in post production craft tools will remove the mystery and show you real-world integrated stereoscopic editing and grading workflows.
Don’t miss this unique opportunity to get the low down on 3D that will enable you to acquire, edit, colour grade and master stereoscopic material!
The Post Production Room – Wednesday 17th February, 16.30
Tapeless Workflow: Evolution not Revolution?
Lawrence Windley, Avid & Brian Hardman, Sumners
Sumners, one of the largest single site post production houses outside the M25, has been an early adopter of file-based workflow. In this session, Avid and Sumners will look at how workflows have evolved and discuss the essential pre-requisites to a successful experience.
Looking at a real life case study of “Children’s Hospital” for Maverick TV, we will identify the technical and production challenges associated with the project and the changes required in production and post production that working tapeless requires.
Production Theatre – Wednesday 17th February, 15.30
Cost Effective Post Production - Save money before you shoot a frame
Lawrence Windley, Avid & Steve Warr, Raw Cut Television
Best known for Road Wars on Sky and Police Interceptors on Five, Raw Cut Television has had to radically change the approach to producing programmes to survive and in fact thrive in the recession. In collaboration with Avid, this seminar will discuss how using technologies like file based shooting and the power of mobile editing can meet the challenges of shooting and delivering in High Definition without breaking the budget.
By making advance decisions and looking at editing as an integral part of the production process, Steve Warr examines new ways of working with post facilities and the challenges of delivering Raw Cut's exciting TV.
The Audio Room – Wednesday 17th & Thursday 18th February, 12.00
Integrating HD picture in an audio workflow
Simon Sherbourne, Avid
Working to HD video presents a number of challenges in the Dubbing Suite, with many variables to consider, pitfalls to navigate, and choices to make. This session will give an overview of working with HD media in a Pro Tools workflow. Simon Sherbourne looks at the options available for working with Avid HD and QuickTime video to suit your workflow and budget.
